I do not paint motifs — I paint presence. I am drawn to the space between light and silence, between what is visible and what remains to be felt.

I perceive the creative process as a sensory and inner experience. Colours of nature, sounds, music, literature, scents, thoughts, and memories intertwine, guiding me toward paintings that operate not only visually, but also emotionally and energetically. I work intuitively, allowing colour and light to determine the direction of the process. I am interested in moments of transition — between light and shadow, movement and stillness, matter and the ephemeral. The painting becomes a record of tension between the visible and the invisible, a form of dialogue with silence and inner experience. I treat colour as a carrier of information and presence. A single, distinct accent can become a focal point and a sign of the painting’s autonomy within space. I do not seek to adapt a work to an interior — its strength reveals itself when it remains independent, carrying its own history and frequency. My paintings are an invitation to pause and to personal interpretation. I believe that art — like language — does not explain reality, but allows it to be felt more deeply.


I perceive the creative process as a sensory and inner experience.